The converzatione of the editor n. 2 - Account of the original phantasmagoria
The Portfolio, N. 20, Vol. 4, William Charlton Wright, London 22 january 1825, pp. 312-314.
The converzatione of the editor n. 3 - Account of the original phantasmagoria
The Portfolio, N. 21, Vol. 4, William Charlton Wright, London 29 january 1825, pp. 328-330.
The converzatione of the editor n. 4 - Account of the original phantasmagoria
The Portfolio, N. 22, Vol. 4, William Charlton Wright, London 5 february 1825, pp. 344-345.
The converzatione of the editor n. 5 - Account of the original phantasmagoria
The Portfolio, N. 24, Vol. 4, William Charlton Wright, London 19 february 1825, pp. 369-370.
The converzatione of the editor n. 6 - Account of the original phantasmagoria
The Portfolio, N. 25, Vol. 4, William Charlton Wright, London 26 february 1825, pp. 392-393.
The converzatione of the editor n. 7 - Account of the original phantasmagoria
The Portfolio, N. 26, Vol. 4, William Charlton Wright, London 5 march 1825, p. 408.
The whole art of legerdemain or the Black Art laid open and explained
T. Hughes, London 1826.
L'Hermès: journal du magnétisme animale
Vol. 1, Madame Lévi, Paris 1826.
The Phrenological Journal and Miscellany
Vol. 4, Oliver & Boyd, Edinburgh 1826.
Alexandre Bertrand
Du magnètisme animal en France
J.-B. Bailliére, Paris 1826.
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