De Mesmer à Puységur. Magnétisme animal et transe somnambulique, à l'origine des thérapies psychiques

At the close of the century of the Enlightenment, the development of animal magnetism (with Franz Anton Mesmer), followed by artificial somnambulism (with the marquis de Puységur) offered to a number of people whose illnesses could not be helped by medicine a new approach to care, a specific way of working, which was often effective though ambiguous, and which is still worth discussing today. This approach could be unpicked so as to reveal the way in which the workings of the mind interacted in a reciprocal way with the body, thus bringing into play other means of self-healing. The article traces the historical development of these new therapies, whose effectiveness was in large part connected to the emotional relationship between a therapist and a patient. This process suggests a discovery of the power of the imagination over reality and a dimension hitherto unknown in the human nature.

Un savoir occulté ou pourquoi le magnétisme animal ne fut-il pas pensé «comme une branche très curieuse de psychologie et d'histoire naturelle»?

The article covers two historical moments when animal magnetism was condemned by French academic authorities, in 1784 and in 1837. It attempts to understand the complex reasons which motivated the sidelining of this knowledge from which hypnosis (magnetic somnambulism) meanwhile originated. It offers cultural, political and social hypotheses to explain these condemnations.

Science on stage: amusing physics and scientific wonder at the nineteenth-century French theatre

Forcing Matrix

La magia della mente

“Difensore della fede e della grazia (Don Giovanni Bosco e don Francesco Grignaschi)”

Domestic Phantasmagoria: The Victorian Literary Domestic and Experimental Visuality

Movable stationery

Tutto è come appare. Il fondo magico di Ovidio Scolari

Movable stationery