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 | Cecil COOK Fifty-one impromptu conjuring tricks that you can do 1946. |
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 | Noël CORBU Il tesoro di Rennes-le-Château Indagini su Rennes-le-Château, N. 9, febrero 2007, pp. 444-447. |
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 | Umberto CORDIER, Jerome CLARK e P. GNUDI Clypeus #95 N. 95, Torino julio 1993. |
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 | Umberto CORDIER, Paolo TOSELLI, SOCIETÀ FORTIANA ITALIANA, Matteo LEONE e Jean-Luis BRODU Clypeus #94 N. 94, Torino enero 1993. |
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 | P. CORELLI Scandalosa commedia di prete Grignaschi fattosi Messia Museo scientifico, letterario ed artistico, Stabilimento Tipografico di Alessandro Fontana, Torino 1850, p. 242. |
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 | Morena CORRADI Staging the Uncanny: Phantasmagoria in Post-Unification Italy Image & Narrative, N. 1, Vol. 13, Leuven 2012.The present text discusses the separation between the natural sciences and the public sphere around the end of the 19th century, focusing on popular shows in which spirits are evoked with technical media. The main focus is on the theatrical spectacles in the Milanese Radegonda Theatre, in which scientists, magicians and magnetists shared the stage. In Italy, these phantasmagorias were closely related to the political rhetoric of that time, as can be gathered from the discourse in political journals of the 1860-1870s in Italy. |
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 | Bartolomeo CORRIZZATO Considerazioni storico-critiche sul mesmerismo Baseggio Editrice, Bassano 1847. |
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 | Ugo COSTAMAGNA Splittare le carte Torino 28 octubre 2015. |
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 | John COTES e George TAYLOR Diaria Britannica. The British diary. An Almanack for the year of Our Lord 1788 Pearson and Rollason, Birmingham 1788. |
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 | John COTES e George TAYLOR Diaria Britannica. The British diary. An Almanack for the year of Our Lord 1789 Pearson and Rollason, Birmingham 1789. |
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